The Writer’s Newsletter
Your monthly online magazine for writers and readers
The Writer’s Newsletter is a must-read magazine for helpful & interesting articles, short stories and poetry. Since 2016, we have provided readers a chance to read about topics that interest them the most. Giving first time writers an opportunity to be published online something many thought they would never do. Experienced writers get the opportunity to share their knowledge and to contribute great stories and poetry. We publish competition and festival lists, links to writers resources as well as book promotion and author interviews. Don’t miss our monthly magazine written by a talented team of writers to help you stay in the loop about the latest book and writing news.
Our mission at the Newsletter is to:
Change the way for you to publish articles, short stories and poems. If you like all forms of the written word then you are in the right place.
Give you the chance to read stories and poems, seek for help and advice, check on dates for your diary and writing competitions.
Articles helpful and interesting many and varied.
Short Stories and Essays Fiction and Non-Fiction from crime to romance and everything in between.
Travel Stories and Articles on all types of writing.
We hope you will find, inspiration, information and interesting features to help you enjoy the writing experience. This newsletter is completely independent of any other sites, authors or writing groups.
You can be anywhere in the world to join, follow, share and contribute.
Please contact us on firstname.lastname@example.org if you would like to submit something to the newsletter or have a question
We like to think of ourselves as the signal standing out from the noise of the rest of the writing landscape.
Unthrifty loveliness, why dost thou spend
Upon thy self thy beauty’s legacy?
Nature’s bequest gives nothing, but doth lend,
And being frank she lends to those are free:
Then, beauteous niggard, why dost thou abuse
The bounteous largess given thee to give?
Profitless usurer, why dost thou use
So great a sum of sums, yet canst not live?
For having traffic with thy self alone,
Thou of thy self thy sweet self dost deceive:
Then how when nature calls thee to be gone,
What acceptable audit canst thou leave?
Thy unused beauty must be tombed with thee,
Which, used, lives th’ executor to be.
The youth is urged once again not to throw away without regard the beauty which is his to perfection. It is Nature’s gift, but only given on condition that it is used to profit the world, that is, by handing it on to future generations. An analogy is drawn from money-lending: the usurer should use his money wisely. Yet the young man has dealings with himself alone, and cannot give a satisfactory account of time well spent. If he continues to behave in such a way, his beauty will die with him, whereas he could leave inheritors to benefit from his legacy.
Shakespeare’s sonnets are considered a continuation of the sonnet tradition that swept through the Renaissance, from Petrarch in 14th-century Italy and was finally introduced in 16th-century England by Thomas Wyatt. With few exceptions, Shakespeare’s sonnets observe the stylistic form of the English sonnet — the rhyme scheme, the 14 lines, and the meter. But Shakespeare’s sonnets introduce such significant departures of content that they seem to be rebelling against well-worn 200 year-old traditions. Instead of expressing worshipful love for an almost goddess-like yet unobtainable female love-object, as Petrarch, Dante, and Philip Sidney had done, Shakespeare introduces a young man. He also introduces the Dark Lady, who is no goddess. Shakespeare explores themes such as lust, homoeroticism, misogyny, infidelity, and acrimony in ways that may challenge, but which also open new terrain for the sonnet form